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‘the’ Observer brought down to size by Guardian group’s new integrated style guide

Posted by Axegrinder on 19 December 2008 at 14:03
Tags: Amelia Hodsdon, Bob Poulton, David Marsh, The Guardian, The Observer

So farewell then, ‘The Observer’. Say hello to ‘the Observer’.

The loss of the upper-case ‘t’ from the Sunday paper’s title is just one of the changes resulting from the unveiling today of a unified style guide for the Observer, the Guardian and guardian.co.uk.

Axegrinder hears that some people at the company’s new Kings Cross home regard this little change as symbolising the paper’s overall defeat in the style wars. The new “integrated” guide has been edited by a duo from the Guardian, David Marsh, assistant editor, production, and Amelia Hodson, a senior sub-editor.

Earlier today, subs on the Obs received an email from Bob Poulton, the Sunday paper’s production editor, announcing: “The Observer and Guardian style guides have been integrated with effect from this week. The revisions have been agreed by a working group representing the Observer, the Guardian and guardian.co.uk.

“This is a necessary step for cross-platform working and web publishing. In some cases, the Observer (note the lower case t) has adopted Guardian style; in others, the Guardian has adopted Observer style; in yet others, style has been updated and is different from former Observer and Guardian styles.”

Poulton then lists the “most significant entries and changes” for Observer subs. These are as follows (non-subs, look away now, for you will surely die of boredom):

accents as well as French and German, use on Spanish and Irish words, and proper names in any language where possible

act caps for name of act, eg Official Secrets Act

Andalucía

antisemitic

apostrophes follow Observer style with possessives and always use ’s, rather than be guided by pronunciation, eg Dickens’s house, Gallas’s own goal, Jesus’s disciples

art movements generally l/c: art deco, art nouveau, cubism, dadaism, expressionism, gothic, impressionism, pop art, surrealism etc*but Bauhaus, Modern (in the sense of Modern British, to distinguish it from “modern art”), pre-Raphaelite, Romantic (to differentiate between a romantic painting and a Romantic painting) 

barbecue 

billion £3bn, 3bn apples but 3 billion people (and same for million)

bogy (ghost, menace), bogey (golf), bogie (truck)

book titles the Observer retains italics for titles of books etc; guardian.co.uk does not, so subs need to change italics to roman for the web and vice versa (and same for film titles, magazines, newspapers etc)

capitals as Guardian style (see full entry in style guide) - note that prime minister etc now l/c

census

cold war (and most other wars) l/c

dashes the en dash (option-hyphen), as already used by the Observer, will replace both the em dash used by the Guardian and the short dash (hyphen) used by guardian.co.uk

dates as Observer style - note that the week for all our publications now starts on Sunday

decades 80s etc

eg, ie etc no full points

encyclopedia not aedia

foreign names Le/De/Di/Van have initial caps when used without first name, eg Ruud van Nistelrooy becomes Van Nistelrooy on subsequent mentions

Gaddafi is the new style for both Observer and Guardian

hip-hop

Hezbollah is the new style for both Observer and Guardian

job titles all l/c

Kathmandu

Land Rover no hyphen

Luxembourgeois live in Luxembourg

Marrakech

No 10

the Observer not The Observer (and same for all newspapers)

% not per cent (in both text and furniture)

president Barack Obama, the US president, but President Barack Obama

pin number

privy council, privy counsellor

al-Qaida not al-Qaeda

quotation marks use double quotation marks, with single marks inside - “David described this policy as ’sensible’, although not everyone agreed.”

Qu’ran not Koran

register office (until now the Observer has been capping this up)

stock exchange, stockmarket

third world l/c if you must (but developing countries preferable)

verbs end in -ed for past tense (he burned the cakes), -t for past participle (the cakes were burnt)

the west

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Our Christmas party tip for Guardian and Observer hacks – bring a moustache

Posted by Axegrinder on 11 December 2008 at 12:04
Tags: Alan Rusbridger, The Guardian, The Observer

Hacks from The Guardian and The Observer can briefly let their hair down tonight and forget the ordeal of moving to their new King’s Cross offices when GNL holds its Christmas party. 

And Axegrinder would love to be joining the happy throng, if only to see how the refined, piano-playing editorial supremo, Alan Rusbridger, enjoys the entertainment — a Studio 54-themed night provided by the chaps from South London gay club Horse Meat Disco. 

A Farringdon Road insider tells me: “I went there once and it was an eye-opener. That’s why I was mildly surprised when they announced them as the entertainment for the Christmas party. I seem to recall that a sizable part of the crowd was dressed as butchers for some reason, complete with bloody aprons and cuts of meat.

 “They had a specially built venue at Glastonbury this year and there seemed to be a lot of trannies there who were going round shoving poppers under people’s noses, and various other pharmaceuticals. You had to be wearing a moustache to get in, and they were selling them for a quid each at the door.” 

Horse Meat Disco’s website describes its Sunday nights at The Eagle in South London as: “The queer party for everyone; Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” It also promises “spontaneous acts of exhibitionism”. 

So moustaches and amyl nitrate all round then, Mr Rusbridger.

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Simon Heffer – a much-ignored iconic figure at the Daily Telegraph

Posted by Axegrinder on 1 December 2008 at 16:27
Tags: Daily Telegraph, Simon Heffer, The Guardian

Keen Simon Heffer watchers will have greatly enjoyed reading the Daily Telegraph associate editor’s angry email to staff castigating them for a series of embarrassing spelling, style and grammatical errors.

But Axegrinder is surprised that Heffer hasn’t picked up on another example of his paper’s reporters and subs blatantly ignoring the Telegraph’s Style Book (author, Mr S Heffer).

The section covering “banned words” includes “iconic”, yet this appears almost daily. In the month of November alone, “iconic” has been used to describe the following:

Sydney Opera House

Mumbai landmarks

Mumbai’s Taj Mahal Hotel

Little Chef

Rugby League player Ian Roberts

Chanel No.5 perfume

Liverpool striker Fernando Torres

Luke Skywalker’s lightsabre

Hong Kong’s Victoria Harbour

Guy Peellaert’s images of the rock and roll stars

the hotel Fairmount Chateau Lake Louise

Trafalgar Square

BBC Television Centre

Maradona

Maradona’a Hand of God goal

Trevor Brooking

the QE2 liner (three times)

QE2’s red funnel

a motorbike’s Smiths Chronometric speedo

Picos de Europa National Park in Spain

Lego brick

Beijing’s aquatics centre and Bird’s Nest stadium

a Bentley V8 engine

Cascades development in London’s Docklands

General Motors

Japanese fashion designer Rei Kawakubo and images by American photographer Steven Meisel (both used by Telegraph fashion director Hilary Alexander on November 11)

Life magazine photo of sailor in Times Square kissing a nurse on VJ Day 1945

Lloyds bank

Lech Walesa

Alton Towers’ Corkscrew ride

fashion designer Adriana Degreas’ men’s swimming trunks, women’s bikinis and one-piece costumes, gold and sepia silk kaftan printed with a life-size image of Christ the redeemer (yes, it’s Hilary Alexander again)

the iPod

New York’s Plaza building

the Tetley Brewery in Leeds

the Matterhorn

Beverly Wilshire hotel in Los Angeles

Hamilton Hall overlooking the 18th green of St Andrews Golf Club’s Old Course

photographer Karsh’s image of Winston Churchill

the red telephone box

Porsche 911 sports car and VW Beetle (in the same article, by Louise Armitstead)

Hillary Clinton crying in New Hampshire.

The Guardian took much pleasure in revealing Heffer’s email so perhaps now is the time to point out that the subs and writers at Farringdon Road are far from perfect. Let’s take the words “icon” and “iconic”. The Guardian style guide reminds staff that, as a result of overuse, these are “in danger of losing all meaning”.

The guide points out that the these words have been “employed to describe anything vaguely memorable or well-known – from Weetabix, Dr Martens boots and the Ferrero Rocher TV ads to Jimi Hendrix’s final gigs, a plinth in Trafalgar Square and drains”.

Despite the warning, the words keep appearing in The Guardian, “icon” popping up 38 times in November and “iconic” 35 times.

 

 

 

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