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Edinburgh: Media “bears some responsibility” for copycat school killings, says award winning novelist

Posted by Colin Crummy on 26 August 2007 at 22:18
Tags: Edinburgh 2007, Edinburgh International Television Festival

The media must bear some responsibility for copycat shootings in American schools if it insists on over hyping news stories, according to an award-winning novelist.

Lionel Shriver, speaking at the Edinburgh International Television Festival, said she would never blame TV editors for incidents like Columbine and Virginia tech killings but added that sensationalistic, conspiratorial TV news could spur copycat crimes. “The over the top response of the media, especially television may bear some responsibility for the continued school killing phenomena in the US.”

Shriver, whose book, We Need to Talk About Kevin was inspired by the school massacres like Columbine, added: “I would never argue for censorship but I might argue for restraint.” The novel, about motherhood gone wrong, won Shriver the women only Orange prize for fiction in 2005.

The novelist was tackling the issue of what she termed “the hyper narrative” – the willingness by the media to pump just a story using exaggeration, rumour and conspiracy. Shriver said the hyper narrative meant: “A good story, of nominal importance, is played up by the media because it satisfies an imaginary hunger.”

Shriver cited the Michael Jackson child abuse trial and Paris Hilton’s jail time as examples of the genre, pinpointing the coverage of the O.J. Simpson murder trial as the kick-start of this kind of “hyper narrative”.

The novelist commended the parents of Madeleine McCann for refusing to become involved in a similar news agenda – “it was the hyper narrative that never happened” she said, “because the family did not cooperate”. She condemned the charges of negligence, complicity or guilt the media had laid upon the McCanns’ following their daughter’s disappearance. Shriver said a narrative of “girl disappears – the end” did not satisfy the media’s need to turn the story into “a thriller”. “It’s all very well to do this in a book, but not in real life,” she said:

She criticised the media attack on police witness Robert Murat who had endured “a cloud of suspicion over him” which would remain for his lifetime.

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Edinburgh: Close BBC 3 and keep current affairs, says BBC’s Sweeney

Posted by Colin Crummy on 26 August 2007 at 22:02
Tags: Edinburgh 2007, Edinburgh International Television Festival

The BBC should kill its digital channels to prevent further cuts to its current affairs output, according to Panorama reporter John Sweeney.

Speaking in a panel session on the state of current affairs programming at the Edinburgh Television Festival, Sweeney argued that further BBC cuts due this autumn could devastate the department and that BBC bosses needed to change their ways if they wanted to ensure audience trust and programming quality.

“They cost money [trust and quality], ” said Sweeney, “the BBC current affairs department is a pale shadow of what it was, empty desks, people on short term contracts and that makes it very much harder to argue and challenge the bosses.

“The word is another round of cuts. Stop this. Don’t cut current affairs, the sharp end of the BBC’s public service commitment. Don’t cut This World Or Horizon or Storyville or The Money Programme. If economies have to be made then shoot a white elephant or two – god knows we’ve got a few of them.

“It would be better I believe – and this is a personal opinion – to close down BBC 3 or BBC 4 than cut current affairs again. If the
bosses are serious about quality and trust, stop cutting. Otherwise the future of the BBC might be an empty lump of concrete in Salford.”

Responding to Sweeney’s comments, Panorama editor, Sandy Smith that there was no suggestion that Panorama’s budgets would be cut in the next round of savings but added: “There needs to be time and money available to make programmes that don’t fit into 29 minutes.”

“It’s a content versus buildings and platforms argument which is emerging from the BBC and I don’t think either I or John would disagree with that.”

The two were panellists in a session at the festival on whether TV current affairs had lost its soul. Sweeney used the opportunity to defend his role in Panorama’s investigation into Scientology, in which the veteran reporter famously lost his temper on screen.

Channel 4’s deputy editor of news and current affairs, Kevin Sutcliffe attacked Panorama’s Scientology programme, saying it was not the piece about the religious cult that should have been made. “It failed its test for me as a piece of investigative journalism but it had a lot of other merits to it.”

Smith said the programme wasn’t the one the BBC set out to make but it was successful in bringing in a young audience. “The danger was someone would say lets make more of these shows, which they haven’t.”

Sweeney, responding to Sutcliffe’s criticism of the show said: “You got into a bit of a hissyfit, and think that if it’s interesting it’s not Panorama.”

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Edinburgh: ‘IPod moment’ could render print extinct, predicts Guardian editor

Posted by Colin Crummy on 25 August 2007 at 16:33
Tags: Channel 4, E-paper, Edinburgh 2007, Edinburgh International Television Festival, Guardian, ITN, Journalism, Podcasting

The newspaper industry could be rocked by its own “iPod moment” where a device reads text so well that renders print extinct, according to the editor of The Guardian.

At a session entitled “Who’ll Win the Web?” at the Edinburgh International Television Festival, Alan Rusbridger said: “For the newspaper there will be an iPod moment where someone creates a device that is so brilliant at reading text, the newspaper becomes irrelevant.”

Rusbridger also said the death of The Guardian in print would “in some ways make life simpler” and said that he was confident his team would continue to produce the product within the same Guardian spirit elsewhere. “I’d be quite relaxed about it,” he added.

He admitted that The Guardian was tying up people experimenting with podcasts that gained few listeners but said it was because the newspaper was experimenting with everything. “There’s a fair amount of wasted effort at the moment but we’re learning all the time.”

The debate centred on whether print media or broadcasters might prosper in the digital age.

Rod Henwood, new business director at Channel 4 said: “In some ways we are less threatened than newspapers because free broadcasters don’t have paying customers to lose. We have paying customers to gain through the internet.”

He said that broadcasters could better retain exclusivity on products in a way that news providers could not. “News is very much commodised on the net. Immersive, long form video entertainment is harder to commodise. For broadcasters that have got rights that are their own, have a chance to stand out on the internet more than purely news providers.”

ITN chief executive Mark Wood said newspapers were more than just news and it was crucial to make those elements – like lifestyle sections - pay in a multimedia strategy.

Rusbridger said: “The BBC, CNN, ITN – it’s sort of an article of faith that they are impartial and unbiased. We can be as impartial and biased as we like and on comment is free we have thousands of robust opinions.” He foresaw this as “an interesting battleground” which would be partly settled by regulator.

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Edinburgh: Sky would go live with footage that threatens hostage’s life

Posted by Colin Crummy on 25 August 2007 at 15:24
Tags: Edinburgh 2007, Edinburgh International Television Festival, Journalism, Sky News

Sky News would broadcast live footage of a hostage situation, even if it knew it was likely to endanger the hostage’s life, according to its news editor, John Ryley.

“We’re in the business of going live,” said Ryley, who added: “the key word is transparency – we’re in the business of giving people information.”

In a session at the Edinburgh TV festival, a group of five news editors were presented with a real time scenario in which a fictional hostage crisis was played out.

The experiment, Terror Tapes: Broadcast or be Damned, revolved around a rapidly changing set of circumstances which concluded with the editors having to decide whether to broadcast a live rescue attempt of the hostage, while being aware the hostage takers were watching their broadcast.

In the scenario, Sky chose to go live with the footage, which resulted in the hostage’s death because it alerted the hostage takers to the rescue attempt. The BBC’s News at Ten editor Craig Oliver stuck to BBC editorial guidelines by putting a delay on the footage.

Ryley said the fact the hostage crisis was directly linked to British foreign policy because of the hostage being a high profile army officer made the story one to be told “in a democracy”.

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Edinburgh: Paxman challenges TV to rediscover its sense of purpose

Posted by Colin Crummy on 25 August 2007 at 14:44
Tags: Edinburgh 2007, Edinburgh International Television Festival

Jeremy Paxman has used the keynote speech of the Edinburgh TV festival to rally the industry to rediscover its sense of purpose.

The Newsnight presenter, giving the annual James MacTaggart Memorial Lecture, attacked placed a particular emphasis on news and current affairs coverage, tackling the trust issue, which has dominated the annual festival’s agenda.

He criticized senior management for not leading with conviction as the crisis in viewers’ trust has grown and said that making money from television had become its driving, destructive force. “People at the top are less concerned with content and a lot more concerned with bottom lines. There are too many people in this industry whose answer to the question what is television for? is to say ‘to make money.”

He said this would inevitably lead to ITV abandoning much of its regional broadcasting and questioned if news and current affairs would survive on Channel 4 in the digital age without a regulator to enforce.

Paxman took the opportunity to tackle his employer, the BBC, on the issues raised. On the BBC Trust he said: “I know the BBC Trust hasn’t been in the job very long. But it does seem a big disappointment that it appears so far to consider its job to be more to do with chastising the senior management than with preaching a higher social purpose for the organisation.”

He criticized too, the budget management at the corporation – saying it had got sidetracked into spending money on things – like digital switchover, the move to Salford – “which have nothing much to do with sole purpose of its existence, which is to produce worthwhile programmes.”

He added: “Even so, quite how these obligations produce a budget crisis in an organisation with an assured income of three and a half billion pounds is still something of a mystery to me.”

Paxman said the cuts expected in news would cut to the heart of its output with at least a further twenty percent savings to be made over five years. “It is unsustainable,” he said, “and I cannot see how the programme can survive in anything like its current form if the cuts are implemented.”

He questioned the future of the BBC – wondering if the corporation could continue to justify a licence fee to make programmes that would never be broadcast on television in a digital age or if watched on a device other than a television – that did not need a license.

He compared the corporation to “a bit like living in Stalin’s Russia, with one five-year-plan, one resoundingly empty slogan after another.”

He said the corporation would have to justify its existence, not through the buildings its in, but through the programmes it makes.

In an hour-long speech, Paxman attacked what he described as the media’s “pretty pathetic” reaction to Blair’s “feral beast” speech.He challenged the media’s lack of self-analysis in the aftermath of Blair’s critique of media earlier this year.

Paxman, specifically addressing broadcasters’ response, said he found it “pretty depressing”. “Hardly anyone engaged with the substance of the criticisms – of our triviality, our short-sightedness, our preoccupation with conflict. The immediate and almost universal reaction was not to examine the charge sheet, but to utter a blanket plea of ‘not guilty’, usually followed by well, you misled us about WMD, as if that somehow entitles us to say whatever we like.”

He responded to Blair’s accusations of a corrosive media – and specifically the charge that journalists like him have helped destroy the relationship between the industry and politicians.

He said: “I do genuinely believe there ought to be a chasm between journalists and politicians. I intend no criticism of colleagues in the lobby who’ve come to a different conclusion. But that’s what I think.”

Paxman also highlighted what he saw as a “tacit understanding” between media and politics who criticize each other but not the public and said that the media had become “ too close to Westminster politics”.

He attacked the “expectation inflation” that 24-hour rolling news had created in viewers. “But the problem is that all news programmes need to make noise. The need’s got worse, the more crowded the market’s become.”

He criticized the demands that 24 hour news put on journalists to present comment masked as analysis – because of a lack of time to get out and find out things for themselves. “The consequence is that what follows isn’t analysis. It’s simply comment, because analysis takes time, and comment is free.”

Paxman also spoke of “a gnawing anxiety” at the rise of celebrity news. He cited Paris Hilton’s jail time and gossip on Prince William’s relationship to Kate Middleton as examples of the “vaccousness of much news reporting”. He said: “Does exposing people to this ceaseless torrent make them any better off? I have always believed passionately – and continue to believe – in the public’s right to know, that a well-informed democracy is a healthy democracy – but you do begin to wonder when this ceaseless tide of predigested stuff comes at you.

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Edinburgh: Broadcasters defend themselves against claims of ‘institutionalised racism’

Posted by Colin Crummy on 24 August 2007 at 16:58
Tags: BBC, Edinburgh 2007, Edinburgh International Television Festival

Broadcasters have been defending their coverage of Islam and Muslims in the face of accusations of “institutional racism” and a failure to show “context”.

In a panel debate at the Edinburgh International Television Festival, Channel 4’s deputy head of news and current affairs, Kevin Sutcliffe, said the channel was attempting to provide a rounded approach in reporting on stories or issues surrounding the Muslim community and Islam.

Sutcliffe was responding to accusations by Arz Merali of the Islamic Human Rights Commission who said there was “a structure of Islamophobia in the media in UK”. She said even if it was “not deliberately malicious” it still took the form of “institutionalised racism”.

Inayat Bunglawala, vice chair of the Muslim Council of Britain, singled out a Panorama documentary presented by journalist John Ware for criticism, claiming it only quoted in part the philosophy of a Islamic scholar Maulana Mawdudi and in doing so giving a different impression from that intended.

Responding to the charge of institutionalised racism, the BBC’s head of television news, Peter Horrocks said he didn’t understand the charge when the corporation was reporting on incidents such as arrests and attempted to speak to all sides in the debate.

“We’re doing our job of reporting the facts. If some of those listening aren’t understanding the facts or misinterpreting the facts – could be having an affect on your communities but I don’t think that’s a result of the reporting – it’s a result of what’s happening.”

Maryam Namazie, spokeswoman for the council of ex-Muslims in Britain said the media was too soft on Islam and was not covering the realities of it at all. “We have a duty to criticise Islam,” she said.

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Edinburgh: Channel 4 promises more documentaries as part of public service commitment

Posted by Colin Crummy on 24 August 2007 at 16:06
Tags: Channel 4, Dispatches, Edinburgh 2007, Edinburgh International Television Festival

Channel 4 is to overhaul its schedules - investing in documentaries and educational programming, and moving a raft of factual entertainment programmes to its digital offshoots or off the channel altogether.

Kevin Lygo, Channel 4’s director of television and content, said in a speech at the Edinburgh International TV Festival, that the broadcaster would clear the schedule of ratings hits such as Celebrity Big Brother – its highest rating programme on the channel - to make way for programmes that would better serve its public service remit.

The move is part of a range of initiatives launched by Channel 4 from today [Friday 24 August] to refocus the broadcaster’s public service remit after a tumultuous year of criticism on its output.

“These are non-commercial decisions - if we wanted to take the easy path we’d recommission all of these shows - we’d probably do two series of Celebrity Big Brother if ratings were all we’re after. No - these are the decisions of a public service broadcaster in search of the new and the exciting.”

In the 9pm slot, only one popular factual programme will return, Grand Designs.

“I’m not a psychopath, I’m not going to cut everything,” quipped Lygo. Shows like Celebrity Big Brother will be rested and others axed.

Lygo said this would inevitably mean a fall in ratings. “We are prepared for this and strongly believe it is the right thing to do. Much better to be an interesting channel at 8 per cent than a less interesting one at 10 per cent.”

He reiterated the broadcaster’s commitment to news and current affairs through its public service ethos and said its news programmes scheduled in peak time “offer greater analysis than competitor bulletins on other channels and tackle subject matter, particularly international affairs, that other channels devote less time to.”

“The point is that we are determined to open up space for argument,” he added.

Lygos also underlined his support for the Dispatches programme Undercover Mosque which is under investigation by Ofcom for alleged distortion of viewpoints within the edition.

Lygos said it was “a fantastic piece of first rate journalism which has been completely vindicated”.

Channel 4 is currently seeking more than £100 million of public money and if it didn’t get public service money, Lygo said the first thing to go would be serious investigative journalism – news and current affairs programming.

“It would be a different channel and not nearly as interesting,” he said.

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